As the true son of a news junkie who brought home five daily newspapers to peruse every evening, I’m more prone to read entire articles–whether in print or posted online–than to take headlines and teasers as all I need.
Before I turned ten, I absorbed all the comics and sports pages I could pull from the pile. Before I turned twelve, as one classmate recalls, our grade school class was assigned to write a letter asking questions of one of the presidential candidates. Of 51 boys and girls, I alone chose Nixon.
Might be more surprising when I tell you it was a Catholic school in the Commonwealth of Massachusetts. But that’s precisely the reason: I knew far less of Nixon than of JFK. If I wasn’t already following JFK’s work in the senate, I had read his Profiles in Courage, assigned by the Catholic school I attended. So, of course, Nixon’s the one. To question.
This week’s headlines tell us that Stephen Miller, the sadist who concocted America’s current purposefully cruel and inhumane immigration policy–indiscriminate goon-squad raids, family separation, murders, kids in cages, sleeping on concrete floors–is now White House Chief of Staff.
Most folks I know were nauseated enough by that bit of news that they turned their attention back to the light at the end of America’s authoritarian tunnel to celebrate the nationwide repudiation of the Rubber Stamp Party.
Can’t blame them, but I scrolled down looking, as always, for something I did not already know. What I found would soon be the stuff of an opening monologue of Jimmy Kimmel on late-night TV, complete with a video of Santa Monica High School senior Miller with a head of dark hair, beard, and mustache, speaking into a microphone before some segment of the SMHS student body.
Before listening in, I had already heard an odd echo in what I read, but couldn’t put a finger on it.
Running for class president, he vows to say and do “things that no one else in their right mind would dare say and do.” Hard to argue with that. A year later, he introduced himself to the freshman orientation team at Duke University by saying, “I’m from Santa Monica, California, and I like guns.”
Throughout his four years at Duke, his nickname was “Guns.”
Sorry, that’s getting ahead of the unlikely echo I heard when Guns offered an example of something that only he alone would say. In a voice that made the microphone seem redundant, he declared that he was “sick and tired” of being told to pick up his trash.
Huh? Did this relic of Neanderthalism still exist in 2003? On the Southern California coast?
But more: He went further, reminding his audience that janitors get paid to bend over, and that they, students, should feel free to throw anything on the floors, free of the tyranny that would require them to hold or pocket a paper wrapper until they walk past a trash container, or a banana peel until outdoors and perhaps feed a palm tree or rosemary bush.
Where had I heard that before?
Make the janitors do their jobs! I’ve never had a janitorial job, except for the very end of nights that I’m a projectionist at a small arts cinema. I’m the only one there, so I’m also ticket-taker (Jack the Ripper!), concessionaire, and sometimes usher. When the late show is over and the audience leaves, I alone sweep the floors.
I’ve always been and still am grateful that our demographic–mostly senior, mostly women–is neat to the point of conscientious. Every now and then we show a film that draws a much younger crowd that isn’t nearly as mindful of what they set and, perhaps, forget on the floor. Plus, they triple the sales of popcorn.
So it was last night after two showings of the curiously popular–despite its three-hour length–You Can See Everything, I was looking at more wrappers, bags, and popcorn than I’ve seen in my 28 years here. And then it clicked.
Not long after my debut in the booth showing As Good as It Gets, possibly Woody Allen’s most forgettable film despite its promising title, Seinfeld ended its nine-year run on network TV. Never saw a single episode, as I limit my TV viewing to sports, news, and PBS documentaries, but anticipation of Seinfeld‘s end so dominated the news for at least a week in 1998, that I had to watch the finale.
Not once did I laugh, nor did I smile, nor was there a single scene or line that I could recall by the end of that week. Afterward, Jerry Seinfeld’s frequent boast that it was “a show about nothing” struck me as an understatement.
But I do recall what he said in a late night PBS interview after I got home from showing Shakespeare in Love. I must have been falling asleep, perchance to dream, as I don’t recall what prompted the comment, but Nothing Man declared that moviegoers not only had every right to throw trash on the floor, but that they should do it, that the price of the ticket bestowed that right upon them.
If I had put my reaction in writing at the time, someone might have forwarded it to the FBI, and I’d be answering questions about exactly what would happen “if I ever come within arm’s length of” Nothing Man. I was a wee 47 at the time, so the statute of limitations is long gone, but I’d still rather not admit to thinking, much less writing anything such as, “I’ll hit the gas pedal instead of the brakes even if you’re in a crosswalk, which you probably never are, you hemorrhoidal a——!”
Then again, I’d still stand by telling him, “You have the brains of a door knob!”
Today, I can’t help but connect the dots. Nothing’s interview was a mere five years before Guns’ anti-janitor rant. Nothing was wildly popular with Guns’ generation. Nothing may be obliviousness personified, while Guns is a high strung fret board of superiority, but those add up to to much of what you now see in the news.
Yes, I know that Guns’ treatment of immigrants is deliberately cruel, while all I sweep is carelessness.
Still, somewhere between cruelty and carelessness is an American attitude widespread enough to make hits of TV shows “about nothing.” For all of its 11 years. And to elect a “Reality” TV bully to the presidency. Twice.
Listen to the video of Guns’ high school rant in 2003 and you’ll hear as many cheers as boos from his young audience. Or go to your favorite cinema when there’s a popular film with a large audience, stay until the end credits roll, and look at the floor between the aisles on your way out.
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