Super Bowl LX will go down as the worst ever played. That’s both before and after a halftime show that will be remembered long after the dismal game is forgotten.
Before the game, almost as an appetizer for halftime, Coco Jones delivered “Lift Every Voice and Sing.” Long before Bad Bunny was mentioned as a headliner, the MAGA crowd started foaming at the mouth over a song that many African-Americans have called, “the Black National Anthem.” It’s actually a hymn that dates back about 120 years, calling for universal freedom, but the MAGA crowd is deaf to all that, instead linking it to the silent, peaceful protests made by NFL players ten years ago who knelt during the National Anthem, calling attention to the epidemic of shootings of African-Americans by police who were never held accountable. Jones’ rendition was stunningly sweet.
In sharp contrast, Green Day, punk rock as they may be, seemed to matter-of-factly announce the NFL’s opinion of ICE’s occupation of an NFL city by belting out “American Idiot” at the very start of the broadcast. The mood was soon calmed by the heartfelt patriotism of Brandi Carlile’s “America the Beautiful” and Charlie Puth’s National Anthem.
In the early years of Super Bowls, I, a hippie at the time, barely watched. In fact, I made it from 1970 to 1996 without owning a TV. In the ’80s when I began teaching, I slowly returned to American mainstream culture. While halftime shows were not yet the elaborate productions we now see, commercials were, and they premiered on what was already being called the “most American of holidays,” no matter that it is not a holiday. Gave me a lot to talk about in college freshman writing classes. Made teaching easy for weeks, which was about the same length of time friends chided me for taking so many notes during games I watched with them.
Before my teaching career came to an end, halftime shows seemed to transition from marching bands to celebrity singers and artists, and the late ’90s favored the Motown sound: Diana Ross, Stevie Wonder, The Temptations, and more. The music of any Boomers’ youth, you might say, as it was for me. Years later, however, my musical tastes long for a repeat of Richard Petty & the Heartbreakers, who sizzled in 2008, but that’s past. And I must admit that the Rolling Stones & the Who bombed, if only because it was not their venue. Sir Paul and the Boss were better, but the special effects hardly suited them.
By the time of Janet Jackson’s “wardrobe malfunction,” none of the above mattered. At the turn of the century, the home team New England Patriots launched a dynasty, lately dormant but revived this year, that has reclaimed my inner sports fan. I don’t watch just their games, but every NFL and college playoff game that my basic cable subscription allows. There are a few teams I detest for odd reasons, and my eyes will not allow me to watch a game in which both teams are wearing orange and/or red, but I have little care for the outcome, only the action.
That’s why yesterday’s game was such a torturous waste of time. I’ve seen better action in the drain of my kitchen sink when it’s clogged. I suppose an extremist fan of defensive football hoping for a final score of 2-0, or maybe 4-2, might have enjoyed it, but excitement was limited to a few nice runs by a Seattle fullback and a few blocked passes by a New England safety.
Sustained excitement was to be found only in the halftime show. Couldn’t understand a word, but the symbols were impossible to miss. Quite like the 2021 film, In the Heights, Bad Bunny put the vitality of Puerto Rican culture on full display, and it was as joyful as the couple who really did get married as he danced by along the sugar cane set.
Announcers were cautious (who could blame them?): Yes, that’s a bodega common to Puerto Rico, but not a word about the workers on utility poles as a comment on the Republican Party’s indifference to the Puerto Rico grid after the hurricane. Nor did they note the young boy looking so much like the 5-year-old traumatized by Republican approved ICE agents in Minnesota and shipped off to Texas. And of course there was no mention of another development in that story within 24-hours of kickoff: The Republican Administration is now expediting the process to deport 5-year-old Liam Conejos Ramos and his family.
Though, musically, I might prefer the late Tom Petty, or Gloria Estefan, or Smokey Robinson, or U2, I am grateful that, from the wreckage of the worst sporting event since the New York Jets last played the Cleveland Browns, such a vibrant and undeniable message was delivered to an American public that needs to see and hear it, a counter weight to a Republican administration that continues to slander and smear it.
Just wish someone with a microphone during or after the game had mentioned that the Patriot’s best player in that sorry excuse for game, that safety I mentioned who blocked passes that appeared ticketed for touchdowns, has a last name ending with the letter Z.
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*From the Statue of Liberty (which appears in many commercials that air during football games:
“Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!”

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