Delivery to a candy/ice cream store just as it opens at noon. Big, bright place, white walls, colorful signs, pics of smiling people licking cones, biting chocolates. Three young staffers and an older guy, likely the manager, putting things in place. Nice morning, too, humid but peaceful with birdsong in the air.
As soon as I open the door and step forward, a blast of guitars amplified to the max with punishing percussion ridden by a raging, angry scream, “Here we are now, entertain us!” actually knocks me back that step.
Gathering and bracing myself, I roll the dolly to the back of the store some fifty feet away, deposit two 30-lb. boxes, and start back. The lyric, which I recognize from a huge hit in 1991 that prompted much discussion in college classes I taught back then, is repeating over and again for the minute or two I am inside the store:
Here we are now, entertain us!
Likely caused much discussion in classes on many campuses. These were the years marked by reports of student protests and altercations with police all across the country, not for any military reason or call for social justice, but, as they chanted while smashing windows at the University of New Hampshire, and as the Beastie Boys urged some five years earlier:
You got to fight for your right to party!
But back to the song that near knocked me out of Happy Sweets (name changed to protect the oblivious): Yes, I knew its title and the album it’s on, the name of the band and the singer/songwriter. Years later, or eight years ago, my son-in-law was a sound editor on the documentary film, Cobain: Montage of Heck.
I recall the speculation after Kurt Cobain’s suicide that “Smells Like Teen Spirit” was intended to taunt his audience, his own fans. I took no side in that, and played the role of diffusing heated arguments between students taking opposing sides–after igniting them in the first place by bringing the subject up.
Few of my students thought his suicide stemmed from his frustration at watching head-banging fans from his perch on stage night after night, and I didn’t debate that possibility other than reading various newspaper commentaries at the time. The most telling commentary came from the song itself:
Load up on guns, bring your friends.
It’s fun to lose and to pretend.
She’s over-bored and self-assured.
Oh no, I know a dirty word.
If that’s not suicidal, it sure is nihilistic. But I pressed neither word, nor did I pounce on the call for guns or about what might be “fun to lose and to pretend.” Instead, I honed in on the one word in that stanza implied by the conundrum of “Here we are now, entertain us!” and insisted:
Whenever you say that you are “bored,” you are conveying nothing about the subject, no matter what it is. But you are revealing something about yourself, and it’s not flattering.
The way they looked at me, you’d have thought I was speaking Norwegian. Those were also the years, after all, that some popular TV show started the fad of yelling Booooorr-ing whenever someone didn’t like or want to do something. Nowadays, a remark like that might get me fired for making students “uncomfortable.” Luckily, I still had a fair share who enjoyed debate, and, not to brag, but I always had a way to lighten things up. In this case I actually sang the end of it:
Maybe “Here we are now” was Nirvana’s answer to Jethro Tull’s “Really don’t mind if you sit this one out.”
My affinity for Tull was always well-known after the unlikely–and shocking to hard-rock fans–presentation of the very first Grammy for Heavy Metal in 1989 went to that venerable, eclectic band of my ge-ge-generation. Got a lot of mileage lording that over the Metallica and AC/DC fans in my classes. I can still picture the seething face on the husky redhead looking like he was ready to kill me. I would have deserved it.*
But tempers cooled, and by the time I linked the opening line of Thick as a Brick to the refrain of “Teen Spirit,” they laughed the laugh of people who just heard an accuser accuse himself of the same accusation. Did Cobain think his music just a whisper met by shouts of the incurably deaf? That would make a guy scream.
Ah, the memories! At Happy Sweets, none of the staff seem to notice my arrival or departure, and there is no way they can hear my steps or the roll of the dolly. All of them have their backs to me as they place new posters on the wall with pictures of happy parents and children smiling over their shoulders. Not wanting to risk anything that might stall, even for a moment, my getting back outside, I remain silent all the way to the door. No question the first time I ever rushed out of air-conditioning to return to what GBH’s Henry Santoro likes to call a “hot, hazy, and henry day.”
At the last moment, between the “Here we are now” and the “entertain us!” of the twelfth or twentieth time I hear the lyric, I hear, “How are ya?”
Turning my head back, just enough to pass for polite, I step out the door and hear my voice answer, “I don’t know.”
-30-

https://www.imdb.com/title/tt4229236/

*https://loudwire.com/metallica-gentlemanly-1989-grammy-loss-jethro-tull/#:~:text=The%20nominees%20that%20year%20were%20AC%2FDC%20%28Blow%20Up,the%20viewing%20audience%2C%20but%20other%20musicians%20as%20well.

















