Dollars Damn US

The irony of “thoughts and prayers” now being “sent out to” the people of East Palestine, Ohio, is that the very people quickest to offer thoughts and prayers are the ones who make environmental disasters–like mass shootings–far more likely than in any other country in the world.

By far.

As the families and friends of those lost in mass shootings know all to well, thoughts and prayers are more often an excuse not to act, to buy time, to then forget. A rug under which all unpleasantness is swept. Those making that excuse are not “the government,” but a part of it; not “congress,” but half of it; not “all of them,” but many of them.

Our inability or unwillingness to make that distinction is the foremost reason our problems not only go unsolved but keep getting worse.

As with the water crises in Flint, Mich. and Jackson, Miss., the Norfolk Southern train wreck is what happens when government is run like a business. It is the Republican Party that insists on this, and it has been Republican officials who have made the business decisions that have led to all three disasters.

Two weeks after the wreck, the toxic smoke and fumes still lingering along the Ohio-Pennsylvania border are also brought to us by the Supreme Court’s 2010 Citizens United decision that allows corporations to buy politicians who can add to their bottom line–to them, the only line–constituents be damned.

If you doubt either claim, here are the plain, unarguable facts:

  • The Obama Administration imposed a rule requiring better braking systems on rail cars that carried hazardous flammable materials. 
  • In 2016, the railroad industry poured more than $6 million into Republican political campaigns.
  • In 2017, the Trump administration repealed the Obama rule.

Throughout the Obama years and into Trump’s term, Norfolk Southern, according to Sen. Bernie Sanders:

… silenced whistleblowers, refused to take basic safety measures, slashed staffing to a bare minimum, denied their workers the dignity of sick days, and even authorized a $10 billion stock buyback giveaway to shareholders while neglecting to do desperately needed maintenance.

At the very time they were “neglecting to do desperately needed maintenance” on the grounds of “excessive costs,” they were dealing out $10 billion to shareholders and $6 million to Republican candidates. Could snark that the Republicans work cheap, but how can they complain when they themselves want everything run like a business?

This week, Heather Cox Richardson’s daily Letters from an American, notes that, according to the investigative journal The Lever, Norfolk Southern told regulators that new electronically controlled pneumatic brakes on high-hazard flammable trains (HHFT) would “impose tremendous costs without providing offsetting safety benefits.”

While wondering how any definition of “safety” could possibly exclude hi-tech brakes, we might consider that the railroads also lobbied to limit the definition of HFFT to cover primarily trains that carry oil, not industrial chemicals. The train that derailed in Ohio was not classified as an HHFT.

And which candidate did Ohio send to the US Senate last November?

That would be far-right Republican J. D. Vance who is blaming Biden for the accident. Seriously. He said, according to Richardson, that the administration is too focused on “environmental racism and other ridiculous things.” We are, he said, “ruled by unserious people.”

As Sanders concluded, “This train derailment is a symptom of a larger problem tearing our country apart.”

“Country”? A toxic cloud could be anywhere. Ditto an automatic weapon. How about, instead of looking at spectacular or heartwrenching photos, we looked at maps? Would it sink in that this is what America has become? Would we remember that the premise of this country was never soothing “thoughts and prayers,” but civic attention and participation?

Look at Ohio. Heart-shaped and about where the heart would be if we imagined America as a living being from the head of Maine to the foot of Florida. Demographically according to race, religion, ethnicity, occupation, economic level, and its urban/rural blend, Ohio is the most representative of the fifty states. In the sense that we were all New Yorkers following September 11, we are all Buckeyes now.

Herman Melville, depressed by the commercial failure of his later novels, complained in a letter to his friend Nathaniel Hawthorne, “Dollars damn me!”

If we fail to undo the damage of Citizens United and continue to vote for a political party dedicated to “running government like a business,” Melville’s complaint will be America’s epitaph.

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Source: https://heathercoxrichardson.substack.com/p/february-15-2023?

Measuring Our 70s

On Wednesday, a friend and fellow blogger wrung my mind from whatever it was on with an unusual headline: “a week of questions – Three.”

Did I miss or not notice or forget that his two previous daily blogs posed questions? Wednesday is the third day of the work-week, earning it a nickname ripe for double-entendre, “Hump Day.” But that was not my immediate reaction. Instead, I thought he–who first steered me toward the treats of Measure for Measure and Henry IV Part One in a previous life–was waxing Shakespearean by putting the noun before the number.

A link to his blog appears below so that you can weigh your own reaction against my anticipation of three questions–and my delight at finding one with three answers:

why I was trying to learn a conversational level of Spanish at this time… in my life.

First answer is about being a better citizen and honoring a culture. He lives in San Diego, on a border which my daughter once crossed by mistake after driving into a wrong lane just a month after getting her driver’s license. It may have been just the front tires of her Chrysler LeBaron that reached Mexico before the customs agent graciously let her turn around, but that’s another story. My friend’s third answer was simply that learning Spanish is fun–which I suppose it must be since he’s taking lessons from a friend while the two of them sit and sip coffee at a table outside a San Diego Starbucks.

His second reason was what hooked me: A new language…

will help what brains cells remain up in my noggin continue to light up. Maybe, even, shine brighter. Possibly, even, fire up a few new ones.

Lots of possibilities to keep brain cells firing. While he learns Spanish, I do math in my head, on the spot. Started doing it a few years ago as a way to stay alert while driving long distance as I often do, imagining the license plates on cars in front of me as cribbage hands and adding their scores. Before long I was dividing as much as I could, looking for common denominators, high and low. When I had a knack for that, I started testing for three- and four-digit prime numbers. No one ever believes this, but I entered Salem State College as a math major, only to have the excitement of the Sixties turn me into an English major, which at the time was merely a ruse for joining the student newspaper where another excitable boy turned me on to Measure for Measure and the wildly entertaining duo of Falstaff and Prince Hal.

After my friend offers his answers three, he adds a riff about falling awake on a new day:

this Wednesday has come to fetch me, to host me, and I am its guest. Of course, I can see it the other way too. Here I am, up again, hosting another Wednesday in this pretty long life of Wednesdays…

Well, now, that is an implied second question. To answer it, I closed my eyes and in about 15 seconds figured that he had hosted or visited Wednesday 3,853 times (+ or – 1) in his life, about 112 more than I have. The plus or minus accounts for leap-years. Yes, we can count them to 18, but only one of seven February 29s is a Wednesday. Since that does not divide evenly, we would need at least one very old calendar to be exact, and the whole point of this is to do it in your head–to light up brain cells in the noggin. Honestly, I always feel vaguely insulted when someone hands me a calculator, but that, too, is another story.

At the end of his blog, the dual role–guest and host–reminds him of a song by Aretha Franklin, “Who’s Zooming Who?” and he calls it “a worthy question.”

And just like that, I realize that there are indeed questions three–even though, while I have been writing this on Thursday morning, he has posted “a week of questions – Four.”

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a week of questions – Three

Spanish-speaker Winston Cushman and Math Major John Garvey, Salem State College (now University) circa 1973. Photo by Golfer Steve Salvo.

Oh Say Can You Feel?

If social media has given me one pet peeve, it is comments that have nothing to do with the links to which they are added.

Often they are reactions to the photo, photo caption, headline, or an opening line that happens to be visible before the “see more” that brings a reader to the full article. In my case, that would be another 650 words for a newspaper column or anywhere from 400 to 2,000 for a blog.

Yesterday I posted a blog headlined “A Bowl of Super Consensus” about what historians call “consensus history” in the pre-game broadcast of the Super Bowl. And I connected its distorted patriotism to a half-time show that could have been titled “Dance of the Golden Calf” or “Lowest Common Denominator Stomp” or maybe “March of the Spastic Robots.”

Ya, I’m an old guy who still thinks that profanity says more about the speaker than it does the spoken about.

Debate that all you want, but I might have used a profanity when I first spotted a comment added this morning:

Missed the pre-game. Someone posted a picture of a player (not sure who) crying during the National Anthem. Others commented on how it chokes them up too. Honestly, all I can think about are the horrors and hypocrisy it represents. No tears here except for the marginalized people who have been oppressed throughout the history of this country in the name of American Exceptionalism.

I’ve always been keen to hear the anthem, likely because I’m far more attuned to the tempo and instrumental rendition, the feel of the music, than to the lyrics. A solo-saxophonist, no lyrics at all, brought me to tears in Fenway Park 40 years ago.

Friends are amused by my insistence that everyone hush during the song, but they appreciate it and later thank me. For over fifty years, many renditions–Jose Feliciano (hopeful), Jimi Hendrix (defiant), and Lyle Lovett accompanied by a solo cello (pure, penetrating) are the first that come to mind–have all been so memorably vivid that I have choked up while talking about them.

Perhaps I regard the song as a reminder of what we could be–which is why I tune out the militaristic renditions that insist on what we should be. And why I’m quick to criticize the showboats who use it rather than serve it with higher purpose. And, yes, I am aware of the racist stanzas that follow but are, thankfully, never sung.

My anger at the commenter was brief when I realized that she was actually filling in something I should never have omitted. I had made no mention of the anthem, a glaring oversight in a blog purportedly about faux-patriotism in a pregame show in which the anthem is always showcased. And so, even though I didn’t share the thrust of the comment, I gave it a “like” intended more as a thank-you for prodding me to fill in my own omission–and she is certainly correct about the damage that has been excused by the idea of “American Exceptionalism.”

The irony in this is best captured by a line from historian Howard Zinn:

The problem with historical honesty is not outright lying. It is the omission or de-emphasis of important data. The definition of “important,” of course, depends on one’s values.

For the record, I thought Chris Stapleton’s version was soulful, thoughtful. My guess is that, if we regard the music without the lyrics, conservatives would have hated it for the same reason they hated Feliciano’s version in 1968 and so many other renditions since. If my hunch is right, liberals loved it for its pure emotion.

Admittedly, that’s all generalization. Realistically, I think we can say that any American’s reaction to our National Anthem–lyrics or music–depends on one’s values. It is, after all, the only national anthem that begins with a question.

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The Houston Astros have been in so many World Series of late, I’m not sure what year this is: https://www.youtube.com/watch?v=LUC8s9ytXCg

A Bowl of Super Consensus

As heard on television, the most calculated lasting impression had nothing to do with the game or the commercials or the halftime show.

Granted, all three had flammable moments ripe for controversy:

A flimsy penalty call near the end of a tie game that left the team on defense no chance to recover, making it all too easy for the offense.

A player with the ball in the closing minute of a tie game taking a knee on the two yard line rather than scoring an easy touchdown.  A strategy to do with running out the clock on the assumption that your field goal attempt will be good.  (Since it was, we won’t hear of this.)

A commercial entirely about a fight between fans of Coors Light and Miller Light, complete with slogans and numerous displays of both cans, to determine which is being advertised–only to end when both are swept away and a hand places a sign before the screen saying, as does the voice-over, “This is an ad for Blue Moon.” (My cousin wonders if all three breweries chipped in for the ad.)

A commercial for chocolate-covered clams that shocked everyone and sickened many until we realized that it was M&Ms’ spoof of Fox “News'” imbecilic complaint that the cartoon spokescandies were “too Woke.” Let’s see: Teletubbies, Disney, Barbie, M&Ms… Who’s next? The Energizer Bunny? Aflac’s Duck? Limu Emu?

And at half-time, yet another Golden Calf production that began with the singer being deus ex machina-ed from the heavens to the field where she would sing with at least a hundred cloned dancers identically dressed making identical moves while she occasionally grabbed her crotch and then smelled her fingers with delight or bent over and grabbed her ass as thousands of spectators cheered and waved their arms in the air, many of them holding devices in the air to photograph or record the glaring spectacle.

And we wonder how so much of the American population has become ripe for totalitarianism.

A Golden Calf analogy may seem over the top if you don’t know that she came down from the sky with a song titled “Bitch Better Have My Money.”

Moses, of course, is nowhere to be found, nor would he or his tablets be welcome. Instead, the camera pans to a lingering shot of two of the most influential people in America today, South African Elon Musk chatting with Australian Rupert Murdoch in a luxury box. If you still think the Golden Calf comparison is too much, perhaps the Tower of Babel will do.

None of the above, however, has left the most calculated lasting impression on us.

Not long after Kansas City fans enjoy their victory parade–but long before Philadelphia fans recover from the trauma of having lost three national championships within four months–all of the above will fall well into the background of life across the United States of Amnesia and among a population not exactly known for its attention span.

For all of the broadcast’s blunt strokes, Fox Sports did place one subtle item on our nation’s conversational table, such as it is. Prior to the kickoff and prior to the National Anthem, there was a story of a mythical Stars & Stripes as old as the country itself that had flown at all of America’s most significant events, at home and abroad. In a voice that sounded much like (and may have been) John Wayne, it was a seemingly harmless tribute, and for many viewers it likely was a heartwarming patriotic statement from start to finish.

That would include flattering references to generals Robert E. Lee and P.T.G. Beauregard for their service to the US in the Mexican War with no mention of their later taking up arms against the US, and therefore the flag being praised, years later.

This is called “consensus history.” Historian Peter Charles Hoffer’s 2004 book, Past Imperfect, describes it as the presentation of history as if very little was ever wrong. And for what did go wrong and is impossible to hide–such as the Civil War–no one was to blame. Consensus history boomed in this country after 1880 when book and periodical publishers began to covet a Southern market–and when Northern politicians started asking for Southern votes, preachers for Southern congregations.

Consensus history both aided and was aided by the reassertion of white supremacy in the South with Jim Crow laws and a reign of terror, most notably by lynching, over newly-freed African Americans that saw them stripped of voting, property, and educational rights. And that often saw their neighborhoods and businesses raided, looted, and burned. Wilmington, N.C. 1898; Springfield, Ill. 1916; East St. Louis, Ill. 1917; Tulsa, Okla. 1921, being the most spectacular among many.

Along with a resurrection of the Ku Klux Klan, the most visible manifestation of this was the placement of Confederate statues and monuments in public places that have been at the center of heated controversy and occasional violence in recent years.

This includes Manatee County, Florida, where the newly elected Republican commissioners have voted to repair a statue of Lee that was broken during removal five years ago and put it back up next to the county courthouse where it had stood since the advent of consensus history.

Last night, the Superbowl’s pre-game flag story helped justify that move. The added dig at those who “disrespect” the flag with no specifics about what constitutes disrespect will justify more just like it. Clearly, Fox Sports assumes that most viewers will apply this insinuation to African-American athletes silently protesting racist and deadly police practices by not standing for the Anthem. They can bet every dollar Murdoch has that few viewers will think of the American flags superimposed with Confederate and Nazi symbols, as well as with the name and/or face of a former president, that have appeared at rallies and one attempted insurrection since 2016.

It hardly matters that Fox Sports included the singing of “Lift Every Voice,” generally considered the “Black National Anthem,” soon afterward. Like the Star Spangled Banner, the ceremonial coin-flip, the half-time show, the presentation of the trophy later on, it served as a formality–while the commercials, like the game itself, did very well to keep us wondering.

That story of the flag, however, was something else. Call it consensus history or call it patriotism, it is tailor made for those who want to keep America in one carefully choreographed line.

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https://www.goodreads.com/book/show/710545.Past_Imperfect

Wetting My Shirts

Gyms bill themselves as “no judgement zones,” but I have to wonder about the guy on the treadmill in front of me wearing a “Port City Sandwich” t-shirt.

Not so odd as the kid behind the counter at the fish market across the river who wears a “Waste Management” shirt while putting your cod on the scale, but still. Of course, he’s young enough to be my grandson, and if I had a physique like his, I’d be at Port City scarfing down a pastrami & Swiss smothered in Russian dressing on dark rye, not in a damned gym.

Before I left today, a second young fellow mounted another machine in front of me with a t-shirt for “Donut Jack’s.” Couldn’t read the fine print with the location, which is just as well since it prevents me from finding the place. A nice looking shirt, but I’d never dare wear it for obvious reasons.

Then again, I don’t think twice about putting on my New Bedford Whaling Museum shirt with Moby-Dick himself stretched across my chest. Considering that I have two of them, it’s more of a boast.

Today, my shirt was blank. When I ended the workout, it was also soaked, so when I dressed after a shower I put on another: “Front Street Coffeehouse,” my old haunt in Salem where I’ve wolfed down many sandwiches and pastries.


Nor do I judge the soundtrack of the place–not while on the treadmill. The gym itself is sprawling, and so the music is diffuse, hardly noticeable except for the steady beat that keeps me walking at 3.0 or 3.2, sometimes 3.4 mph. Those same sounds, however, make the locker room a torture chamber.

Under the unrelenting hate and rage of these “vocalists,” I have noticed that most of the so-called “songs,” in addition to repeating a single, short sequence of notes over and over, never changing from beginning to end, also repeat a single lyric with very little else if anything at all to accompany it.

Can’t help but laugh at some. The funniest was in a female voice: “I Got Your Money!” Twice in the song, a male briefly appeared to answer, but it was all blurred, so I couldn’t tell if he was asking for its return or giving her investment advice.

Today, while donning my FSC shirt, I was amazed to hear an actual song with discernable notes. Again, the lyrics were blurred, but the feel was conversational, quite a break from the constant rage I had come to expect. More than that, the guitar work was as precise as it was high-energy. Most surprising of all, the music actually developed, as if the musicians actually had something to say. Wow, it was so good! Like something we’d have put on a turntable back in my Salem days when we fired up joints to enhance our listening pleasure. How the hell did this get on here? was all I could think.

Finally dawned on me that the song titles and the artists are identified on a monitor above the lockers, so I looked up. ZZ Top! How the hell did they get in here?


Today marks a full month since I put myself on treadmills to solve my weight problem, and so far it seems to be going well.

That’s a lukewarm endorsement only because I have yet to step on a scale since a doctor’s appointment on Dec. 30 and was frankly horrified by the number it reached. I don’t have a scale at home. My mother tried to give me one, but I told her to give it to someone else. A few years later, I gave hers to someone else. That was almost twenty years before the pandemic when weight became an issue.

Another doctor’s appointment looms on Tuesday. Just 48 hours from right now, I will stand on a scale for the first time since the shock of Dec. 30. These two days will include the Superbowl and at least three obligatory IPAs, which I’ll offset with two more days at the gym where I am now up to 3.15 miles and 470 calories in one brisk, shirt-soaking hour.

I can report that I’m feeling more lively of late, but I have yet to see any difference. So it all depends on the number I see Tuesday morning. When the doctor tells me to stand on the scale, my curiosity won’t stop me from pointing to the front of the shirt I always wear to the doctor’s and the dentist’s:

I would prefer not to.

A couple years ago, I wore that to a job interview–and was hired!

On Tuesday, no matter what the scale says, that shirt will be soaked within an hour of leaving the doctor’s office.

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While the above photo and accompanying link are from 2019, ZZ Top has scheduled a 2023 tour from April through September. As of now, there are no New England dates, the closest being Saratoga Springs, NY: https://www.zztop.com/

All Things Reconsidered

We’ve all had our share of conversations, meetings, classes, interviews, transactions, negotiations, arguments, and, yes, first dates followed by a night, a day, a week, and I dare say longer when we think of things we should have said.

You may think there’s no such thing as a do-over, but I have a blog.

On the night of Martin Luther King Day, I got a call from a fellow who wanted to talk about a column I had in the local paper under the headline, “Where is MLK when we need him?”

He does a podcast called Race Matters which he tried to get me on a little over a year ago when I reviewed his William Lloyd Garrison lecture, the 2nd annual here in WLG’s hometown (link below). I dodged it until he forgot it, although I enjoyed a few drinks with him in The Grog a month or so later.

When he named Newburyport’s Senior Center as a place to meet, I only figured that he had others in mind for a conversation. Many events happen there, large and small, so I walked in unsuspecting, only to find myself seated in a recording studio in front of a microphone and camera, all of which I assumed he kept at The Governor’s Academy well south of Newburyport where he is the Dean of Multicultural Education and teaches history.

Links appear below to my column (updated and adapted from a blog headlined, “Calling Dr. King”) and Edward Carson’s podcast, both of which can speak for themselves. However, if I had it to do over again, here’s what you would hear.

Regarding his memory of having George Wallace as governor while growing up in Montgomery, Alabama:

Edward, you’re not old enough to remember George Wallace, though I’m sure you heard plenty about him at an early age. Did you also hear of Lester Maddox?

He’d have likely said yes, but I still wouldn’t believe he could have anything near my real-time memory of the Georgia governor. Though, to be fair, he did quote Wallace’s mantra, “segregation now, segregation tomorrow, segregation forever,” so why wouldn’t he remember Maddox wielding an axe handle in defense of his Jim Crow restaurant against integration? I’d have taken another tack:

All these anti-woke pronouncements we are hearing from governors DeSantis and Abbott, gag orders on talk of race in Florida, bounties on those seeking reproductive rights in Texas, transport of immigrants under false pretenses to Northern cities–in one case an island–are a replay of Wallace and Maddox sixty years ago.

Not sure what he would have said to that, but no matter what it was, I’d have continued:

Wallace and Maddox were in a competition. Which one could prove himself the most worthy front man for white supremacy? The Republican idea of a Southern Strategy existed long before Nixon brought it into the open. Democrats and Republicans were vying for Southern votes to tip an otherwise balanced scale. Who would they deal with? Both Wallace and Maddox wanted that role.

I’d pause here, but not for long:

DeSantis and Abbott are doing the same, only this time the stakes are higher, not to help pick the king, but to be the king. Or to replace a king whose base is base in both senses of the word. Which one can be the nastiest, the most cynical, the most malignant, the most likely to ridicule a handicapped man, insult a woman who asks direct questions with lines like “She had blood coming out her wherever,” and dismiss developing nations as “shit-hole countries”? DeSantis and Abbott are vying for that role.

I’d pause again to let it sink in, but quickly add:

Regarding race, their task will be to find more Kanye Wests and Hershel Walkers to stand with them in photo-ops, smiling and nodding their heads to every hateful thing they have to say–which is all they have to say. Neither DeSantis nor Abbott needs P.T. Barnum to tell them how to play to the lowest common denominator–not anymore than they need Tom Hanks to tell them that every lead role needs supporting roles.

I have a hunch Edward would interrupt me here to add something. And I think I know what he’d add. If not, I would say it:

And both have had Trump show them that all supporting roles must be filled with yes-men.

One other item late in the interview: In the column, I had quoted King’s prediction shortly before his death that America was heading back into the Dark Ages. In the interview, Edward asks if I think that has come true, and I offer my opinion that it is.

Now I realize that I didn’t need to offer an opinion. I have proof. For starters, former Republican Congresswoman Michele Bachmann of Minnesota ran in the Republican primaries in 2012 with a stump speech all about the Enlightment and Renaissance being where western civilization turned away from God, and all went wrong. Four years later, that became a key part of the MAGA creed.

But I can do better than that. Whatever I say in the video, strike it from the record, and replace it with this:

Edward, you may not know this, but I am a strolling minstrel in a Renaissance faire, King Richard’s down in the cranberry bogs way south of Boston every fall. Been in it since 1999. Part of my routine is to be at the gate as people leave at the end of the day. I banter with them as much as I play, and a few years ago, before the pandemic, I came up with a great laugh-line: “Come back next year! We’re going to put Galileo on trial.”

Edward has a rich and easy sense of humor, even with serious subjects, so I’d laugh with him, but only for a bit before continuing:

Don’t laugh too hard. Just weeks ago, Republicans took control of the House, and they now call the shots for every House committee. One committee has already slated as its first order of business calling in Dr. Fauci and grilling him over the handling of the pandemic.

Second chances, take backs, mulligans, and do-overs are all well and good if you can manage them. But when jokes like that start coming true, there’s a much larger do-over that needs to be re-done.

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The Martin Luther King Day column:

https://www.newburyportnews.com/opinion/columns/as-i-see-it-where-is-mlk-when-we-need-him/article_d1c5752a-9053-11ed-857d-d782d2eb8b5f.html

The William Lloyd Garrison Lecture blog:

As American as Cherry Pie

What if the real reason that Ron DeSantis and other Republican officials want to place gag orders on the teaching of African-American history has less to do with race than with labor?

The question would be inescapable to anyone reading of what contemporary historian Gunnar Myrdal called the “mass lynching” of African-Americans by whites in East St. Louis, Ill., on July 2, 1917.

Before there was racial conflict, the white laborers in the factories and stockyards along the Mississippi were starting to unionize, as were workers from coast to coast. In immigrant cities such as Lawrence, Mass., in 1912 and Paterson, N.J., in 1913, and in mining communities such as Ludlow, Colo., in 1914 and Matewan, W. Va., in 1920, the magnates called on law enforcement to keep unions at bay. In East St. Louis, the Aluminum Ore Co., Armour Meat Packing, and others sent agents across the rural deep South to recruit black men with guarantees of steady jobs and high wages.

None of it was true. As the blacks soon learned, they were there for white workers to see and fear as replacements.

All of this is documented in Never Been a Time: The 1917 Race Riot that Sparked the Civil Rights Movement, a book published in 2008, a decade before the 1619 Project drew the ire of those who want to bury America’s past under a security blanket of nothing-to-see-here–and before the history of Tulsa’s “Black Wall Street” forced itself into the national consciousness.

Author Harper Barnes points out that East St. Louis was the deadliest race riot in America until the aftermath of Rodney King’s beating by LA police in 1992, but he warns against comparison. In 1992–as in the 1960s in Watts, Detroit, and Newark, and ever since–the violence was all in the streets. In East St. Louis–as in numerous similar cases from Wilmington, N.C., in 1898 to Tulsa in 1921–white mobs raided Black neighborhhoods pulling men, women, and children out of their burning homes, sometimes throwing them, dead or alive, back into the flames.

The sight of newly arrived blacks disembarking trains may have inflamed white workers over an immediate concern for their jobs, but it became a pretext for running cars through black neighborhoods with a shooter firing a rifle out of every window at the middle-class homes of families that had been there for generations. As in Tulsa, it wasn’t that blacks were lazy and prone to crime that motivated white backlash, but that blacks were industrious and successful.

And the North was not the safe haven that we might like to believe. Says Barnes:

Race riots, as black militant H. Rap Brown suggested in the incendiary 1960s, are “as American as cherry pie.” Long before the black riots of the sixties, whites rioted against blacks in cities across the country. Decades before the Civil War, in such Northern bastions of abolition such as Cincinnati, Boston, Pittsburgh, Philadelphia, and New York, and in smaller cities and towns throughout the North, blacks were attacked in the streets by gangs of whites, and their neighborhoods were invaded and sacked. African-Americans were severely beaten and killed, and black homes and institutions–including schools, churches, and even orphanages–were destroyed by white mobs long before the end of slavery.

That would be enough for DeSantis and his ilk with their fabricated objections to “critical race theory” to want America’s inconvenient history suppressed. But Barnes offers more, including an observation by Sherwood Anderson a century ago calling East St. Louis “the most perfect example, at least in America, of what happens under absentee ownership.”

Or, as cartoonist Aaron McGruder (The Boondocks) quipped, “the inner city without an outer city.”

Both quotes, like much of Never Been a Time, reveal as much about America’s economic reality as its racial divide. At the start of Black History Month, which is now effectively banned in America’s fourth most populous state, DeSantis can celebrate a suppression of labor history as much as of racial history.

The rest of us would do well to re-connect the two.

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Hope for the Unknown

I’m always amused by those who think that, because I’m the projectionist, I know why things do or do not happen in a film, or that I know what happens to the characters after the credits roll.

Do they think I see an annotated version of it?  Or that I’m privy to all that landed on the cutting room floor?

Before I saw Women Talking, I was in the lobby following three showings as audiences left. Each time there were women charging right at me, demanding more than asking:

“Where are the men?”

At first I thought they meant the lack of males in the audience, and the very title of the film dares one to joke: “Maybe they hear enough at home?” Held my tongue on that one, though I couldn’t resist the crack that it may be the most redundant title I’ve ever heard.

So when I did see it, I was already looking for the answer, only to find a cast of women already looking for their answer. Rather than an accumulation of evidence, Women Talking goes right to the verdict. Or, the vote: Do nothing, fight, or leave.

Director Sarah Polley’s adaptation of Miriam Toews’ 2018 novel of the same name is as terse as film gets. It doesn’t matter where the men are, though it heightens tension and hints at a backstory when “attackers” return to the colony–unnamed and unlocated–in the dead of night, both in flashback and within the 12-hour span of the story.

That terseness allows Women Talking to stand for all human rights conflicts whether within nations or families. How many Native American tribes took that same vote in the 18th and 19th centuries? How many individual women, married or single, make that choice today? And what about parents in violence-torn Central America? Or parents in Flint, Michigan, or Jackson, Mississippi?

We might think that the film is set in the 19th Century if not for a car with loudspeakers blaring “Daydream Believer” cruising down the colony’s dirt roads to take the 2010 census. Two preteen girls chat with the driver whose face is just one of two adult males we see–if only in his rearview mirror.

We see a dozen women of three generations make the final choice for about a hundred who were evenly split between fight or leave. One wonders if the “do nothing” option was there only to remind us that a few still take it, as does Frances McDormand’s character, Scarface Janz, whose case must be compelling to those who stand knee-deep in the cement of religious dogma.

The rest must act. They debate. After so much worry for what might await them in the outside world, Ona, played by Rooney Mara, muses:

Hope for the unknown is good. It is better than hatred of the familiar.

Says the young narrator:

It was all waiting to happen before it happened. And it happened effortlessly.

Oh, it’s a serious film verging on a graduate seminar covering the nature of evil, free will, forgiveness, and faith. In a time when Roe v. Wade is revoked and a political party condemns what is “woke,” we could call this film the 21st Century version of Thelma & Louise.

But Women Talking comes up for air at just the right times when one of the two grandmothers, Greta played by Canadian actress Sheila McCarthy, asks to tell a story about Ruth and Cheryl.

These are the two horses who draw her wagon. If there’s an obstacle in the road, they don’t quibble over it, they go around. Later we learn that, if she has trouble steering them where they are, she need only look down the road as far as it goes–a remark also indicative of the film’s hypnotic cinematography and soundtrack.

Women Talking offers an equally subtle, humane touch in Austin, played by Ben Whishaw, the colony’s boys-only school teacher who the women recruit to “take the minutes” of their meeting. His relationship with them, both in backstory and in the moment, is memorable enough for a review of its own–which is to say, better left to the film.

That, by the way, is the answer to the question I went in with, “Where are all the men?”

I’ll leave it to the film’s narrator. Yes, pay close attention to the narrator–and don’t be late.

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https://www.imdb.com/title/tt13669038/

Manifest Identity

Among American history’s most misquoted lines is, “The British are coming!”

On his horse over a year before independence was declared, Paul Revere was himself British as were all the townspeople and farmers along his route. Using that word would have been nonsensical. Since the troops stationed in Boston were commonly called “Regulars” by the colonists, it is likely he used that term. Of course, by the time the first talking film was made, the word “Regular” fell flat and “British” seemed more to the point.

To this day we forget that the revolution did not begin with one united population seeking independence, but with a confederation of 13. And even after Thomas Paine coined the galvanizing name, United States of America, people still thought of themselves according to colony or region, Pennsylvanians and Virginians, or Carolinians and New Englanders.

A new book, Indivisible: Daniel Webster and the Birth of American Nationalism, traces the evolution of how we perceived ourselves from our break with England to our break with each other. Gradually, our identity was defined less by state than by region, North and South, with the slave economy as the wedge between all attempts by John Quincy Adams, Henry Clay, Daniel Webster and others to make E Pluribus Unum come true.

Others, most notably John Calhoun, were determined to maintain the South’s distinct identity of white supremacy and slave economy, and a skewed Constitution enabled the South to do exactly that: The wildly disproportionate Electoral College, the equally disproportionate composition of the Senate, and the 3/5ths clause which counted enslaved people as 60% of a person for the sake of a census upon which representation in the House and the Electoral College was based–while not allowing those enslaved people themselves to vote.

Today, the 3/5ths rule is long gone, but a disproportionate Electoral College and Senate remain in a document that many Americans–especially Southerners for much the same reason they did two centuries ago–consider sancrosanct.

Enter a third region into the mix, the West, and the countdown to Civil War begins. According to author Joel Richard Paul, the South wanted to counter the spread of Northern industry into the Great Lakes region with a spread of their own slave economy into Mexico (and Cuba). At the time, Mexico stretched north all the way into northern California and what is now Wyoming. The South wanted more slave states, and with Tennesseans flooding into Texas–and with Southern presidents such as Andrew Jackson, James K. Polk, and John Tyler calling the shots–a fabricated war that would result in at least one new state was inevitable.

Polk’s rallying cry of “American blood on American soil,” was as false as the absurd retroactive claim that Texas was part of Jefferson’s Louisiana Purchase, but the imagination of the nation was captured by the idea of a unified and enlarged identity. Writers at the time responded to a call from Ralph Waldo Emerson for a national literature, especially Herman Melville who set that identity on ships that sailed the world, and Walt Whitman whose “Song of Myself” was sung with America as his persona. As if to galvanize the whole “Young America” movement, a New York newspaper editor coined the phrase “Manifest Destiny.”

Ulysses Grant, a young officer of low rank when we attacked Mexico, would later call it “a wicked war” in his post-presidential memoirs, and there is a reason that the Mexican War is the only war with no plaque or monument anywhere in Washington, DC.

Still, as we learn in Indivisible, the Mexican War began our turn from regional identities toward a national one even as the standoff between North and South spiralled toward secession. War can do that. This where Daniel Webster played what may be called the lead role in the tragic drama.

There were others. John Quincy Adams, the only former president to later serve in Congress, was a leading voice of abolition in the House for 17 years, spending much of that time fighting Southern gag orders on the subject of slavery. Henry Clay worked as long and as tirelessly for compromises that, while not challenging slavery where it existed, would prevent its spread westward. Andrew Jackson’s military victories–some by way of his deceit of Native American tribes that trusted American treaties–made him a popular hero who advocated a strong union despite his uneasy alliance with the rabid Carolinian Calhoun necessitated by Old Hickory’s support of slavery. And then there was Martin Van Buren “whose obsequiousness and flattery were unmatched” but who “never drank his own poison.”

Above them all, Webster was the orator who drew the crowds, with a charisma that often made his opponents a bit more accomodating. His “Second Reply to Hayne” in 1830, a 30,000-word blaming the South’s economic problems on slavery while “arguing that the prosperity of the North and West was due to their reliance on free labor,” became required reading for decades in public schools. To this day, historians regard it as “the greatest extemporaneous oration ever delivered before Congress.”

Indivisible is generous with quotes of pointed passages Webster aimed at South Carolina’s quest for nullification, of rhetorical flourishes describing the cooperative country to be passed on to future generations, and barbs that made the chamber roar:

If we were to allow twenty-four states each independently to decide what laws were valid, he joked, “it should not be denominated a Constitution. It should be called, rather, a collection of topics for everlasting controversy.”

Paul does not shy away from one of the most controversial disputes of American history: Did Webster betray his Northern constituents and his own humanitarian principles when he endorsed the Compromise of 1850 with its abhorrent Fugitive Slave Law?

The short answer, clearly, is yes. Less clear is that the South would have split in 1850 without it, and so Webster, at the behest of Clay who appeared at his Washington door with a hacking cough on a stormy January night, reconsidered his firm, long-time stand that gave abolitionists hope. Webster’s mantra, “Liberty and Union, now and forever, one and inseparable,” was about to separate the man himself. For the sake of Union, Webster caved and sacrificed a liberty that Northerners held dear.

Other historians have vascillated on the truth and consequence of this move of a man who, from an early age, had his sights set on a presidential bid. Was Webster calculating that political gain in the border states and the South would more than compensate for losses in New England? Or was he sacrificing himself for the sake of avoiding a Civil War?

According to Paul, Webster was buying time. In 1850, industry in the North was not developed enough to prevent secession. Ten years later, that changed. Paul suggests that secession would have been successful had it happened a decade sooner. Given the amount of cotton and tobacco traded to England, Europe, and–as a result of a treaty engineered by Pres. Tyler in 1844–China, the South likely would have had allies that would not import manufactured goods from the North at that scale for at least another five years.

Indivisible ends with the death of Webster in October, 1852. Just months earlier he was vying with incumbent Millard Fillmore for the Whig nomination for president. Fillmore was the second Whig vice-president to ascend to the presidency after the death of a military hero within months of their inaugurations. Back then vice-presidents tended to be hacks chosen for their appeal in a region opposite the presidential candidate. Remarks Paul:

It would not be the last time a polarizing president from New York relied on southern and nativist support for his reelection.

That coincides with descriptions of Andrew Jackson that, if you remove the military references, echo descriptions we hear today. If you ever wondered why Jackson’s portrait was so often a backdrop for White House pronouncements from 2017 through 2020, and why the plan to replace him on the $20 bill with Harriet Tubman was scrapped, consider this one:

Jackson… regarded the federal bureaucracy with suspicion. He feared that civil servants formed a shadow government or deep state that would impede him. The president set to work to “clean out” the embedded elite… He vaguely alluded to “widespread corruption” in government and insisted on firing civil servants… Jackson did not claim that these men were incompetent or corrupt. He simply wanted to replace them with civil servants who would be beholden to him.

Other presidents fare much worse in Paul’s estimation. When Whig stalwarts Webster and Clay vied for the presidential nomination in 1848, the party opted instead for Gen. Zachary Taylor, well-known to the public as “Old Rough and Ready” despite his dubious conduct of the Mexican War. Says Paul, “once more, inexperience and ignorance proved to be a winning combination in presidential politics.”

Many other passages in Indivisible you could file under, “History repeats itself,” or “Doomed to repeat,” or “The Past is not Dead.” As well as two blurbs on the back cover, not for what they say, but for who wrote them: Jamie Raskin and Anita Hill.

During a month when the governor of Florida signs a bill forbidding the teaching of African-American history in the state’s public schools on the grounds that it has “no educational value,” we might wonder if we are repeating the decade leading to the Civil War.

We may no longer think of ourselves according to our native states or geographic regions, but it is clear that, our nationalism notwithstanding, we have yet to think of ourselves as “American” in any honest sense of the word.

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Fittingly Unfitting

There’s an adage attributed to everyone from Elie Wiesel to Pope Francis, from John Le Carre to Leviticus:

The opposite of love is not hate, but indifference.

With a title that describes Charlie, an obese English teacher hoping to reconcile with Ellie, his estranged and beyond troubled daughter, The Whale illustrates that point as well as any of those writers or clerics could have.

The title also refers to a most unusual plot device, a high-schooler’s essay on Moby-Dick, although the film bears more resemblence to a later Herman Melville novel, The Confidence-Man, than to the one which was originally published in England under the title, The Whale. For that reason, any detailed account of what the five characters do would be as much of a spoiler alert as a review. Suffice to say it is well acted, and Brendan Fraser is now picking up the awards to prove it. Hong Chau’s Liz is as memorable as her Elsa in The Menu, and Samantha Morton’s Mary is as riveting as her brief role as a victim being interviewed in She Said.

Fittingly–and, in this case, equally unfittingly–the English teacher keeps his video off during his Zoomed classes, a blank, black square in the middle of 14 youthful faces. Later on, that will change in one of several scenes in The Whale that plays like a horror film.

With unrelenting intensity, even the sight of a bird feeding outside Charlie’s window feels ominous.

In a story of deception that would do Almodovar proud, assumptions are easy to make about characters when we meet them–Liz is a care-giver, Thomas an evangelical–only to take us by surprise when we hear their backstories. But The Whale is as much about the great divides of modern life: Despite his morbid condition, Charlie’s optimism is as boundless as his belly, contradicting Ellie’s cynicism even as she throws it in his face. If Charlie is a shadow of Uncle Vanya, Ellie is his anti-Sonya.

Nevertheless, he persists. In a tone that begs for affirmation, he asks Liz:

Do you ever get the feeling that people are incapable of not caring?

Whether to grant that affirmation is left to the audience when the film ends. Does he break through Ellie’s indifference? Is that indifference a defense mechanism? Or is it pure hate? Her own mother calls her “evil” after all. Rather than answers, the screen turns white and the credits roll.

We’ve seen this before. In 1999, Limbo, a film set in Alaska, ended with a stranded family awaiting the arrival of a plane. Two possibilities have been set: Rescue? Or execution? Neither. The screen went white and we were left to debate which was likely. The very title of the film should have warned us: “Limbo (n): A condition of unknowable outcome.”

As a title, The Whale may not hint at an inconclusive ending any more that it does at the characters’ layered identities, but the essay that Charlie keeps reading and having read to him, and sometimes reciting does. Like a typical high school paper, it’s filled with simple observations: Ishmael and Queequeg share a room. Pure filler: … written by a famous author named Herman Melville. Absurd misnomers: In a seaside town. And errors: A pirate named Ahab. But it has one line that might raise the eyebrows of scholars who still debate whether Melville wrote one unified book or combined an adventure story with an industry manual:

I think Ishmael wrote the boring parts to give us some pause from his own sad story.

As with the film’s characters, the identity of the essayist is unknown at first and then later unravelled more than revealed. That may be the best reason to see The Whale. It invites assumptions to give us pause from assumptions.

No matter what the daughter thought of the bird feeding off the full plate Charlie leaves outside his window, this film is the opposite of indifference.

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Post Script: With an evangelical character, The Whale was bound to contain the line, “Everything happens for a reason.” A Bible-adhering friend back in my South Dakota days took that a few steps further when he insisted every chance he got, “There’s no such thing as coincidence.” Today, it occurs to me that readers of my most recent blogs are wondering about the coincidence of this one.

For those just tuning in: Two weeks ago I was among the 211 readers in the annual Moby-Dick Marathon in New Bedford, Mass. While there, I attended two of the three side-sessions called “Chat with the Scholars.” Also while there, I was unnerved by the sight of myself in a full-length mirror while walking out of a men’s room and into a corridor filled with paintings of whales. Days later I began daily workouts at a gym after months, actually years, of procrastination. Days after that, the Screening Room opens The Whale.

Let me hasten to say that, by comparison, Charlie makes me look anorexic, nor do I need any reminder to keep walking three miles a day. I’m already feeling better, and I have some nice shirts I’d like to button once again. Still, I waver between the idea that this is coincidence or that it has played out with purpose.

If the former, it’s a joke on me that I can laugh at. If the later? One year will be a painful amount of time to wait before I can ask those scholars what they think of the “pause from (Ishmael’s) own sad story” theory.